Micro Digital Reverberator 1

★ ★ ★ ★ ★
0 reviews

A fast and easy-to-use digital reverb and multi-effects unit that has unique sounds, courtesy of the late ‘80s and early ‘90s.

$29.99

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    • Quickly create killer drum sounds with must use snareverbs, plates and small rooms.
    • Add vibe with gated reverbs and multi-effects right off classic 80s albums.
    • Get great vocal sounds quickly with delays, halls and chambers designed for voice.
    • Enhance guitars with small rooms and ping pong delays—no changing settings, just click on a preset and go.
    • Control the placement of your ambience and effects with blend, filtering and stereo width adjustments.

This is different

Class

Machine 1 is a simulation of a very popular 16 bit, 1/3 rack size digital reverberator that was introduced in 1986. This little monster features superb small rooms that are industry secrets—check out Small 2 to fatten vocals and guitars, and Small 4 is the grunge era snare sound.

The Sounds of Shoegaze

Machine 2 is a simulation of the second-generation, full-rack digital reverberator. Presets include not only traditional rooms and chambers, but one-of-a-kind, ethereal effects used on classic shoegaze records like Loveless by MBV. Check out Patches 45 & 49...

Nerdy on the Back Side

The Micro Digital Reverberator has a few tweaks on the other side that let you craft frequency response, oversampling and GUI performance. There’s also a super effective stereo widener tucked in back there, for those times you want the effect all around the music and the listener.

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Works with all DAWS

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I went deep on the analog modeling with SITRAL, and you can feel it. Crank the input, lean into the EQ, slam the output. It doesn’t fall apart or get ugly. Just like the real thing.”

Dan Korneff

Producer/Engineer/Plug-in Developer
Pierce the Veil, Paramore, Breaking Benjamin, Sleeping With Sirens, My Chemical Romance, Papa Roach, El Niño

Korneff Audio’s SITRAL W295 EQs are truly awesome. I’ve been incorporating them into my workflow and I love what they do to guitars and vocals in particular. They have tons of great midrange character without sounding harsh. I also love the impeccably detailed modeling of every step of the circuit and the option to tweak every variable down to the transformers. The W295 EQ is the type of plugin that’s hard to make sound bad. Korneff Audio knocked it out of the park!

Carson Slovak

Producer, Mix Engineer, Artist
August Burns Red, Everclear, Polaris, Candlebox, Texas In July, Lorna Shore

This plug-in made me want to overuse it as soon as I started playing with it, in a good way. It sounds so good and reminds me of the strange sounding hifi electronics we used to hotrod to use in the studio. Loads of fun, and really is its own thing.

Ben Grosse

Producer, Mixer, Audio Engineer
Dream Theater, Disturbed, Breaking Benjamin, Depeche Mode
Review Post

Works with all DAWS

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    • Quickly create killer drum sounds with must use snareverbs, plates and small rooms.
    • Add vibe with gated reverbs and multi-effects right off classic 80s albums.
    • Get great vocal sounds quickly with delays, halls and chambers designed for voice.
    • Enhance guitars with small rooms and ping pong delays—no changing settings, just click on a preset and go.
    • Control the placement of your ambience and effects with blend, filtering and stereo width adjustments.

I went deep on the analog modeling with SITRAL, and you can feel it. Crank the input, lean into the EQ, slam the output. It doesn’t fall apart or get ugly. Just like the real thing.”

Dan Korneff

Producer/Engineer/Plug-in Developer
Pierce the Veil, Paramore, Breaking Benjamin, Sleeping With Sirens, My Chemical Romance, Papa Roach, El Niño

Korneff Audio’s SITRAL W295 EQs are truly awesome. I’ve been incorporating them into my workflow and I love what they do to guitars and vocals in particular. They have tons of great midrange character without sounding harsh. I also love the impeccably detailed modeling of every step of the circuit and the option to tweak every variable down to the transformers. The W295 EQ is the type of plugin that’s hard to make sound bad. Korneff Audio knocked it out of the park!

Carson Slovak

Producer, Mix Engineer, Artist
August Burns Red, Everclear, Polaris, Candlebox, Texas In July, Lorna Shore

This plug-in made me want to overuse it as soon as I started playing with it, in a good way. It sounds so good and reminds me of the strange sounding hifi electronics we used to hotrod to use in the studio. Loads of fun, and really is its own thing.

Ben Grosse

Producer, Mixer, Audio Engineer
Dream Theater, Disturbed, Breaking Benjamin, Depeche Mode

I love this thing. I’m already using your SITRAL all over the place and replacing various other EQ’s. Super straightforward to use and, like all of your plugins, the interface is a pleasure to tweak.

Trey Gunn

Producer, composer, and musician
King Crimson, Tu-Ner, 7d Media

Been reaching for the new Korneff SITRAL EQ a lot — it’s officially my go-to for electric guitars. It already sounded great, but they really took it to another level with the tilt and transformers/ saturation features. Effortless tone, every time.

Thiago Baggio

3x Latin Grammy-Winning Recording & Mixing Engineer
Jota.Pê (Best Engineered Album at the Latin Grammy Awards), Vanessa Moreno, Arthur Nogueira (Latin Grammy Awards nominated)

Finally!! Been using the beta in secret all this year. Just an awesome sound unlike anything else I have. Love the midrange and the top is so pleasing.
I don’t think it possible to be disappointed with this SITRAL eq.

Tchad Blake

Grammy winning producer, mixer and engineer
Arctic Monkeys, The Black Keys, Sheryl Crow, Soul Coughing, Peter Gabriel, Crowded House, The Bangles, Tom Waits

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Class

Machine 1 is a simulation of a very popular 16 bit, 1/3 rack size digital reverberator that was introduced in 1986. This little monster features superb small rooms that are industry secrets—check out Small 2 to fatten vocals and guitars, and Small 4 is the grunge era snare sound.

The Sounds of Shoegaze

Machine 2 is a simulation of the second-generation, full-rack digital reverberator. Presets include not only traditional rooms and chambers, but one-of-a-kind, ethereal effects used on classic shoegaze records like Loveless by MBV. Check out Patches 45 & 49...

Nerdy on the Back Side

The Micro Digital Reverberator has a few tweaks on the other side that let you craft frequency response, oversampling and GUI performance. There’s also a super effective stereo widener tucked in back there, for those times you want the effect all around the music and the listener.
    • Quickly create killer drum sounds with must use snareverbs, plates and small rooms.
    • Add vibe with gated reverbs and multi-effects right off classic 80s albums.
    • Get great vocal sounds quickly with delays, halls and chambers designed for voice.
    • Enhance guitars with small rooms and ping pong delays—no changing settings, just click on a preset and go.
    • Control the placement of your ambience and effects with blend, filtering and stereo width adjustments.